I am a compulsive collector of things that have potential. My studio is filled with materials I’m sure are magical- pink lumber, gold vinyl fabric, a baby pool shaped like a crab, scraps of acrylic paint peeled from the insides of jars. I’m partial to shiny stuff, bright colors, and everyday things from the dollar store. Most of these suggest a narrative, or have a contradictory quality- a deflated smiley face balloon at half mast, or a pile of cassette tape strewn in the grass, imagined as a mix tape tossed out the window after a break up.
A similar tension occurs in my paintings. use disparate materials such as spray paint, linen, craft items, and thick, decadent acrylic sprinkled with glitter. Sometimes the paintings are sculptural, or used as shelves to hold other paintings. Mostly, their marks hover in between spaces, inviting you in, only to flatten back out.
My most recent paintings include a reflective holographic film, surrounded by hazy aerosol and poured house paint. I refer to these paintings as portals- they are reminiscent of archways and tunnels. As one approaches the painting, the film reflects a disrupted image of oneself, an entry point to an alternative, far away space.
My approach to clay is a more intimate version of my painting practice. Textures and surface are formed through touch, forming folds and lumps like skin on the verge of collapse. Layers of glaze are applied and reapplied, colors shifting after each firing. Bits of leftover clay are applied like sprinkles on a cake. These pieces are meant to be both seductive and playful, and experienced all over.
Melinda Laszczynski is an interdisciplinary artist working from a painting and collage background. She often uses found materials and objects, like lenticular prints, and is partial to the shiny, bright, and absurd. Her studio practice is playful, tactile, and reflective of contemporary experiences. She currently lives and works in Texas and was raised in Cleveland, Ohio.