Untitled (3/18 38e) 12x36x2"

Untitled (3/18 38e) 12x36x2"


Borden’s recent exhibitions with the gallery have included explorations in a wide range of media, including works on paper and welded-steel objects, this exhibition is comprised entirely of the resined panel paintings that have become a signature of the artist’s oeuvre. In each of his

roles as an artist, architect, author, and professor, Borden’s projects are always driven by an interest in material, perception, and composition. This exhibition is no exception, including work that is rooted in ideas of spatial creation and the optics of perception.

Borden’s well-known architectural, resin paintings have evolved from earlier surveys

of object-horizon relationships viewed from an expansive, external perspective. These

have since transformed into studies of a more internal space, with abstracted planes

and edges arranged to suggest a depth of field within. Color also plays an active role

in the creation of space: fields of solid hues transcribe the form of an object and its

relative position in space. Through this approach, the rectilinear panel becomes a

portal that allows compositions to be read as shallow and deep at the same time.

The relationship between a painting’s composition and its square frame is intrinsic to

Borden’s investigations. Many of the works in Diverse Fields directly address the

frame and the notion of it as a boundary. In multi-panel works, the configuration of an

object is projected beyond a singular painting and realized across the surface of two

to four panels. Each individual unit maintains an ability to work independently, yet

when installed as a collective the adjoined panels offer a perspective of their subject

in its entirety. In a different approach, Borden creates single-panel paintings that are

hung in a linear manner to create one continuous installation. The contained forms

within each painting of the installation are activated by the neighboring panels, with

numerous possible arrangements cultivating infinite compositions. It is these limitless

possibilities of perception that ultimately serve as the core of this exhibition.

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Gail Peter Borden attended Rice University, simultaneously receiving Bachelor of Arts

degrees cum laude in fine arts, art history, and architecture. At Harvard University's Graduate

School of Design he completed his Masters of Architecture with distinction. In addition to

holding a tenured position as a Professor at the Gerald D. Hines College of Architecture and

Design at the University of Houston, Borden is the Director of Graduate Programs and has

served as the principal of Borden Partnership since 2002. His books: Material Precedent: The

Typology of Modern Tectonics, 2010 (Wiley Press); Matter: Material Processes in Architectural

Production, 2011 (Routledge); Principia: Architectural Principles of Material Form, 2013

(Pearson); Process: Material and Representation in Architecture, 2014 (Routledge); and New

Essentialism: Material Architecture, 2018 (Applied Research & Design) all focus on materiality.

In 2004, Borden received a residency from The Chianti Foundation in Marfa, Texas,

culminating in the exhibition Spaceframes, where he was introduced to Galleri Urbane for the

first time. Diverse Fields is Borden's fourth solo exhibition at Galleri Urbane.

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