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Julie Speed
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Press Release "Etchings ETC"
Request a CD of all 11 images to be featured in the show
Galleri Urbane/Marfa...announces “TALKING ROOM” an
installation of Julie Speed's†large new†graphite and gouache
drawings on Arches watercolor paper.) I enjoy working in
pencil but it’s usually the under-drawing for the oils so it’s
lost almost as soon as I find it,” says Speed, when asked
about her temporary departure from painting. “Last year I did
a series of small pencil and oil drawings of heads which
became the book HEADS. This year I was ready to come back to
it and give the heads some hands.”
The images in TALKING ROOM are both ethereal and haunting. In
“Fat Chance” a corpulent infant flails his chubby arms and
wails in grief. In “The Persistence of Lunacy” an old man
wields a missile launcher over one shoulder, using a forearm
crutch to stabilize his meager frame. As with all of the
figures in the series, the infant and the old man are silent,
muted by an inaudible medium, and yet they are also nearly
deafening with the words coming out of their ouths.
“After finishing the first three or four of these pieces I
lined them up on the studio floor and saw that they were
talking to each other,” says Speed. “That interested me so I
kept going. As more of them entered the conversation I started
thinking of them as an installation and wanted to crowd them
into a small plain white room where it seemed they would be
louder. †I enjoy imagining what they’re saying but even more I
enjoy imagining what other people imagine they’re saying.”
The dialogue is seductive, as are the beautiful lines and
bizarre imagery that fills the room and follows you home. They
seduce you with the sheer mastery of Speed’s technique and her
signature zingers – the extra eye, the third row of teeth, the
harrowing asymmetry. As with Speed’s paintings, there is a
dichotomous quality to the work. It is playful and solemn,
pulling you back and forth between characters, as if they’re
telling you which drawing to listen to next.
View the workrk
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