Jason Willaford 

More Abstract Linear Evolution

      The previous series, DESCENDING ORDER consisted of an over all hue with a horizontal linear band of color. Adding and subtracting the   layers of color reveals the horizontal image through the center of the painting, which creates a spatial feeling of cognitive dissonance, what   is real? This series of paintings lent themselves to the recent body of work, M.A.L.E, more abstract linear evolution.      The paintings individually play as a word or a component of something larger. While each painting maintains individuality, in a grouping   they form a narrative. That changes, creating a different emotional response depending on how they are arranged.       A series of lines drawn in, revealing organic tributaries running across a hard edge surface of primary color, The individual paintings become rhyming and often unrhymed lines in a poem, each playing off of one another depending on the arrangement like a quatrain or haiku.

      The medium used is "Encaustic" on wood and canvas. The surfaces are luminous and transparent showing the many layers of color; with the use of a brush and a palate knife the impressionistic images are conceived. Encaustic is one of the oldest mediums. It was used by the Egyptians to encase their mummies. The archival characteristics of the medium are excellent! There are many recipes when it comes to creating the encaustic medium, depending on the results one wants to achieve. The basic components are beeswax, copal (Dammar varnish crystals) and/or Carnauba wax -- dry pigments, oil, or encaustic paint sticks are added for colors formulated by the artist. While the archival aspects of these works are heightened they are however not indestructible, great care should be taken when handling. Gloves should be worn when installing, fingerprints will etch into surface and are difficult to remove

 

 

 

     


 
   
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