Now on View in Marfa
Irby Pace continues to be interested in capturing photographic-based movement utilizing smoke and the landscape. Inspired by the turn-of-the-century French chronophotographer, Étienne-Jules Marey, who nearly a century ago, Marley developed a photographic machine to record the movement of smoke trails as they passed over various objects. These objects visually showed how the smoke was interrupted and altered depending on their placement within the smokes path. Today, Pace continues his explorations into the origins of his medium by injecting smoke into the landscape to disrupt the visual spaces that they temporarily inhabit. The floating phenomenons fill the void of the urban and natural landscapes. The physical space is seemingly altered as colorful clouds of smoke are allowed to combine with the forces of nature to dictate their shape and duration and are captured to show a momentary glimpse of the change in the vacant space. Pace is experimenting with the tension of upward and outward movement against the downward force of gravity, creating the illusion of gravity defiance with crude and readily available resources. Temporary Forms of Continuity in Spaces shows a photographic investigation which takes place in and between the states of Alabama and his home state, Texas. The work is influenced by banal spaces which are chosen for their lack of content. Through the photographic process the smoke trails are once again made tangible if only momentarily.