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Beverly Floyd Beverly Floyd exhibits and lectures in museums, universities and galleries throughout the U.S. and abroad. Honors and awards include a two year scholarship to the Yale University School of Art where she earned her M.F.A. in 1992.
Ms. Floyd’s work has been placed in several corporate and private collections including McKinsey & Company and Pfizer Pharmaceutical Corporation. She has had many publications including the front cover of Asahi Art Pictorial, published in Tokyo, New American Paintings , (volumes 14 and 26) and a color catalog for her 1995 NYC painting exhibition.
Born in Houston, Texas in 1949, she now lives and works in East Haddam, Connecticut. She is married and has three sons.
Artist Statement
Gardens & Ecosystems
I refer to my work as journals, organizing tools for recording recent and current events. Although the combinations play out in my own mental maps, capturing my journeys and experiences, the viewer is invited to reconstruct the encounters.
My consistent obsession with nature has directed me and for the past several years birds have played an important role. Recently however, my interest has become broader and more encompassing. Having recently completed a Master Gardener program, I am more aware of the ecosystems that make up the natural world. Water, air, minerals, plants and
animals all have unique and important roles in determining the quality of our shared landscape.
In my current work, intermingling of organic and geometric imagery refers to the parts that make up or interrupt an ecosystem. Small rectangular boxes made of wood, tea bags and beeswax function like cells, parts that hold an ecosystem together.
The materials and processes used in the work convey the creative processes as well as the fragility of an ecosystem. Layering, scraping and etching of materials are reminiscent of the processes by which a system is formed. More literally, wood, beeswax, and tea are natural products of an ecosystem; the rice-paper teabag reminds us of how
fragile it all is.
My processes are experimental and therefore consist of several different materials and techniques. Besides traditional drawing and painting materials, natural and recycled materials are used as well. Some of these products are dried tea bags, coffee grounds, beeswax, candle wax, leaves, paper and wood. Pigments and grounds are often made
with stains using wet coffee grounds, peat moss or tea. Material combinations include, but are not limited to, acrylic mediums and paint, oil paint, inks and dried pigments, paper and organic collage materials, beeswax and candle wax and a variety of papers, handmade, organic and /or translucent.
Processes include printmaking, collage work, painting, drawing, wax application, scraping, rubbing, stamping and etching. My printmaking process is similar to making woodcuts, but instead of cutting directly into wood, the wood block is covered with linoleum. Some of my drawings and prints are scanned, digitally printed, then used as collage
material.
Often several individual works are put together to make up a single piece. For instance, I might make a print, drawing or watercolor on a single tea bag or a piece of print making paper. This piece might then be combined with a digital print of one of my drawings or photographs. Added to that could be a collage work made with leaves.
The pieces are often put together on a wood panel with layers of acrylic gel medium and clear beeswax, then scraped, etched and rubbed with oil paint. Another work may be made of several identically sized rectangular boxes made of wood and tea bags. Each individual box is a unique small art work, but once grouped, they transform into totally different works.
ONE PERSON EXHIBITIONS
2004 Koelsch Gallery, Houston, Texas
2003 Strand Theatre Galveston, Texas
2002 Koelsch Gallery Houston, Texas
2000 Chester Gallery Chester, Connecticut
2000 Bender Fine Art Atlanta, Georgia
1998 A.I.R. Gallery II New York, New York
1996 Nacul Gallery Amherst, Massachusetts
1996 University of Massachusetts , Amherst, Massachusetts
1995 Walter Wickiser Gallery, New York, New York
1995 The Allen Collection, Vail, Colorado
1994 Upton Gallery Buffalo State College, Buffalo, New York
1994 Geissler Gallery Stoneleigh- Burnham School, Greenfield, Massachusetts
1994 Nacul Gallery Amherst, Massachusetts
1993 Massachusetts Mutual Insurance Company 1993 Artists Series ,Springfield, Massachusett
1992 Guild Studio School Northampton, Massachusetts
1990 Montague Book Mill Gallery Montague, Massachusetts
SELECTED GROUP EXHIBITIONS
2004 Dreams and Realities- Four Artists
Alva Gallery New London, Connecticut
2002 Paper Invitational V
Woodward Gallery, New York, New York
Summer Show 2002, New to Sarasota
Allyn Gallup Contemporary, Sarasota, FL
2001 Beyond Our Vision
Bemidji Community Art Center, Bemidji, Minnesota
Paper Invitational IV
Woodward Gallery, New York, New York
Swing Bridge Group Exhibition
Village Gallery, East Haddam, Connecticut
2000-2003 Way Cool, Gallery Artists
Koelsch Gallery, Houston, Texas
Generations II: A Survey of Women Artists At The Millennium
A.I.R. Gallery, New York, New York
1999 Way Cool, Gallery Artists
Koelsch Gallery, Houston, Texas
Shared Sensibilities
Bender Fine Art, Atlanta Georgia
BEVERLY FLOYD,CONT.
Small Works
Koelsch Gallery, Houston, Texas
1998 Wall to Wall
Gallery 402, New York, New York
Animal Magic
New York Law School, New York, New York
Art Discoveries
Jonathan Shorr Gallery, New York, New York
The Living Portfolio
Studio on the Bowery, OAE, New York, New York
1996 Abstract Artists and Friends of the Atelier”
Triangular Gallery at Atelier 14, New York, New York
1996 JCB International Credit Card Co., Rockefeller Plaza
New York, New York
Joining Forces: Flowers and Art”
Hampden Gallery, University of Massachusetts, Amherst
1995 Bay State: Artists of the Pioneer Valley
Krasdale Gallery, NewYork, New York
1994 New Talent
Alpha Gallery, Boston, Massachusetts
Intimate Views
Maris Gallery, Westfield State College, Westfield,Massachusetts
The Painted Object
McKillop Gallery, Salve Regina University, Newport, Rhode Island
1993 On the Verge: New & Emerging Artists in New England
Gallery Equus, Boston, Massachusetts
New American Talent
Abilene Fine Arts Museum, Abilene, Texas
New American Talent
O’Kane Gallery, University of Houston, Texas
1992 Yale University Art & Architecture Gallery
New Haven, Connecticut
Art for AIDS Sake
Massachusetts Biotechnology Research Park, Worcester, Massachusetts
Commencement Exhibition
Yale University Art & Architecture Gallery, New Haven, Connecticut
Small Works
North Amherst Center for the Arts, Amherst, Massachusetts
New American Talent: The Eighth Exhibition
Laguna Gloria Art Museum, Austin, Texas
Graduate Students of New England
Kingston Gallery, Boston, Massachusetts
1991 An Education of the Heart
Boston Visual Artists Union Gallery, Boston , Massachusetts
Prints by Yale Graduates
Yale Summer Program Gallery, Norfolk, Connecticut
Yale Graduate Students Exhibition
Yale University Art & Architecture Gallery , New Haven, Connecticut
1990 Pastel/Small Works Exhibition
Windham Gallery, Brattleboro, Vermont
Yale Graduate Students Exhibition
Yale University Art & Architecture Gallery, New Haven, Connecticut
1989 University of Massachusetts Student Union Gallery
University of Massachusetts at Amherst
The Empowerment of Women
Borgia Gallery, Elms College, Chicopee, Massachusetts
1988 Undergraduate Juried Exhibition
Student Union Gallery, University of Massachusetts at Amherst
VWA Exhibition
Hampshire College Art Gallery, Amherst, MA
BEVERLY FLOYD,CONT.
BIBLIOGRAPHY
Agni Literary Journal, 37,”Standing on the Verge”,(introduction),curated by Gerr Bergstein, Mark Booth and Hanna Melnyczuk,Boston University, Boston, MA. Spring 1993. pp. 123-139, (article,reproduction)
Asahi Art Pictorial, Volume 5, “The International Art Scene”,Tokyo, Japan, November 15, 1995 (Front Cover reproduction, article, reproductions)
Bay State: Artists of the Pioneer Valley , exhibition catalog, curated by Sigmund R. Balka, Frasdale Foods Inc, New York, New York, July 17 - October 24, 1995 (biography, reproduction)
Benvenuto, Christine, “Exploring the Collision of Nature and Culture”, Amherst Bulletin, Amherst, MA, January 7, 1994, (feature article, reproductions with artist)
Berndt, Jeff, “Art imitates, Incorporates Life”, Vail Daily, Vail, Colorado, January 6, 1995,( feature article, reproductions with artist)
Calvert, Betsy, “Art Market Winds up Bash”, Springfield Union News, March 29, 1993, (article)
Grynsztejn, Madeleine, New American Talent: The Eighth Exhibition,(Introduction), Texas Fine Arts Association, 1992, (reproduction)
Guild Studio School Catalog, September/ October 1993, Northampton, MA, “Faculty Profile: Beverly Floyd” (feature article, reproduction)
Hewitt, Scott, “New Talent Shines in Leverett”, Daily Hampshire Gazette,Northampton, MA, November 12, 1994 (feature article ,photo of artist)
Kiesewetter, Trish, “Expressing Nature in the Abstract”, Daily Options, The Vail Trail, Vail Colorado, January 13-19, 1995, (feature article, reproductions, cover photograph of artist with reproductions)
Libero, Jessica, “Merging Reality & Fantasy at Alva Gallery”, Valley Courier , Essex, CT, February 26, 2004, (review)
New American Paintings ,Volume 14, Open Studio Press, Wellesley, MA, January 1998, reproductions
New American Paintings , Volume 26, Open Studio Press, Wellesley, MA, March 2000, reproductions
O’Brien, Chip “Floyd Fuses Nature & Technology in Upton Hall Exhibit”, Buffalo State College Record, Buffalo,NY, September 16, 1994 (review, reproduction)
Paradysz, Amy H., “SU Art Gallery Faces Possibility of Damaging Cutbacks”, Daily Collegian, Amherst, MA, March 28, 1996 (front page, reproduction)
Rulh, Steven, “VWA Exhibit at Hampshire College”, Amherst Bulletin, Amherst, MA, March 15, 1989, (review, reproduction)
Russell,Gloria “Nature Challenges Culture in Two Gallery Exhibits”, Sunday Republican, Springfield, MA, January 23, 1994, (review)
Russell,Gloria “WSC Exhibit Gives Audience Intimate Look at Art”, Sunday Republican, Springfield, MA, April 10, 1994 (review)
Russell, Gloria, “Experienced & New Artists Featured at 2 Exhibits”, Sunday Republican, Springfield, MA, February 19, 1995 (review)
Russell, Gloria, “Spiritual Impulses Come Alive in Two New Exhibits”, Sunday Republican, Springfield, MA,March 17, 1996, (review)
Russell, Gloria “Artist Takes More Realistic Approach”, Sunday Republican, Springfield, MA, December 15, 1996 (review, color reproduction, front page Liesure Section)
Scott, Sue, “Beverly Floyd, New Work”, Walter Wickiser Gallery, Inc. Exhibition Catalog, New York , NY, June, 1995, (essay, one person exhibition catalog, color reproductions)
Stapen, Nancy, “Tastes of Mingled Palettes”, The Boston Globe, Boston, MA, June 23, 1994 (review)
Straub, Roger, “Contemporary Art Featured at Chester Gallery” , Hometown Journal, E.Haddam, CT, June 30, 2000, (review, reproduction)
Vail Valley Magazine, Vail, Colorado, winter 1995-96, “Galleries” (article, reproduction)
Weekend Gazette, “COA Sponsors Art Exhibition”, Holyoke, MA, August 1-2, 1992, (review)
Wells, Bonnie, “Picture Postcards from Santa Fe: Beverly Floyd’s Abstract Landscapes Celebrate Travel”,
Amherst Bulletin, Amherst, MA, March 22, 1996, (feature article, reproductions w/ artist)
Wright, Patricia, “Art Views”, Daily Hampshire Gazette, Northampton, MA, March 26, 1992, (review)
BEVERLY FLOYD,CONT.
HONORS AND AWARDS
2004 No Boundaries International Art Colony
Bald Head Island, North Carolina
1996 The Millay Colony Residency
Steepletop, Austerlitz, New York
1993 Paul and Carol Chanin Sculpture Scholarship
Anderson Ranch, Snowmass, Colorado
1990-92 Tuition Scholarship
Yale University School of Art, New Haven, Connecticut
1990 First Place Award
Windham Art Gallery, Brattleboro, Vermont, Juror: Wolf Kahn
1988 First Place Award
Student Union Gallery, University of Massachusetts at Amherst
1988 Scholarship Award
Foundations Program, University of Massachusetts, Amherst
EDUCATION
M.F.A. Yale University School of Art, New Haven,Connecticut Painting and Printmaking, 1992
B.F.A. University of Massachusetts, Amherst, Massachusetts Painting, 1989
TEACHING & LECTURES
2001 Instructor, University of Connecticut, Storrs, CT
1998 Visiting Artist, Rhode island School of Design, Providence, RI
1997 Lecture, Radcliff School, Milton Keynes, Buckinghampshire, England
1996 Lecture, University of Massachusetts, Amherst, MA
1995 Lecture, Visiting Artist, College of St. Rose, Albany, NY
1994 Lecture, Stoneleigh Burnham School, Greenfield, MA
1994 Lecture, Charles Burchfield Museum, Buffalo State College, Buffalo, NY
1992-1995 Instructor, Guild Studio School, Northampton, Massachusetts
1991-1992 Instructor, Yale University School of Art, New Haven, Connecticut
RELATED WORK EXPERIENCE
1994-1996 Gallery Director, Barnes Gallery, Leverett, MA
AFFILIATED GALLERIES
Alva Gallery, New London, CT
Koelsch Gallery, Houston, Texas
Allyn Gallup Contemporary Art, Sarasota, Florida
Woodward Gallery, New York, NY |